Site Logo

Syfy’s “Warehouse 13” Begins Production on Season 2 Set for July 13 Premiere

Categories: Network TV Press Releases

Written By

March 2nd, 2010

We posted about the return date last week, but here's a press release from Syfy with more data:

SYFY’S HIT SERIES, Warehouse 13 BEGINS SEASON TWO PRODUCTION THIS MARCH LEADING TO ITS SUMMER PREMIERE ON TUESDAY, JULY 13

Eddie McClintock, Joanne Kelly, Saul Rubinek, Allison Scagliotti and CCH Pounder

All Return For Second Season Pick-Up

Nolan Funk (Nickelodeon’s Spectacular) To Guest Star In Four Episode Storyline

New York, NY – March 2, 2010 – Syfy’s #1 original hit series, Warehouse 13, commences production on season two this March in Toronto and will kick off the new season with a summer premiere on Tuesday, July 13.  Series regulars, Eddie McClintock, Joanne Kelly, Saul Rubinek and Allison Scagliotti, along with series guest star, CCH Pounder, reprise their roles in the series ratings leader for Syfy.  The 13 episode, hour-long dramedy is slated to return this summer 2010.

Nickelodeon star, Nolan Funk (Spectacular, Drake & Josh) guest stars in a four-episode storyline in season two.  Funk portrays Todd, a tech savvy local who takes a special romantic interest in Claudia (Scagliotti). This budding relationship is put to the test by the secrets they are forced to keep from one another. 

Warehouse 13 follows two Secret Service agents who find themselves abruptly transferred to a massive, top-secret storage facility in windswept South Dakota which houses every strange artifact, mysterious relic, fantastical object and supernatural souvenir ever collected by the U.S. government. The Warehouse’s caretaker Artie (Saul Rubinek) charges Pete (Eddie McClintock) and Myka (Joanne Kelly) with chasing down reports of supernatural and paranormal activity in search of new objects to cache at the Warehouse, as well as helping him to control the Warehouse itself.

Warehouse 13 became the all-time Syfy leader in total viewers (4.1 million), Adults 25-54 (2.1 million) and Household ratings (2.9), as measured by 7-Day DVR data, making it the most successful series in Syfy’s 17-year history.

Warehouse 13 is produced for Syfy by Universal Cable Productions.  Jack Kenny (The Book of Daniel), returns as showrunner.

Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in 95 million homes, Syfy is a network of NBC Universal, one of the world's leading media and entertainment companies. Syfy. Imagine greater.

(10) Comments - Add Yours!

If you'd like to personalize your comments left on TVbytheNumbers with your picture or other avatar, please visit www.gravatar.com. Just use the same e-mail address here that you used when registering your gravatar.com account and the picture you selected will show up next to your comments.
  1. timotey

    That’s great. But does anybody know when this show will be out on DVD? S1, I mean. Nobody seems to know anything.

  2. timotey

    That’s great. But does anybody know when this show will be out on DVD? S1, I mean. Nobody seems to know anything.

  3. Chances are you will the Season 1 DVDs about a month or so before Season 2 premiers. It may also be available in DVD and Blu Ray.

  4. Chances are you will the Season 1 DVDs about a month or so before Season 2 premiers. It may also be available in DVD and Blu Ray.

  5. Hey, no hurry. No need to be as industrious as those who make 26 episodes a year. 5-6 is more than enough. It’s not like there’s a story line to follow, or characters anyone loves.

    Ya know, Gil Thorp and Mary Worth used to take all 52 weeks of their comic pages to complete a single action. And they’re still popular, even today!

    (Sarcasm)

  6. Hey, no hurry. No need to be as industrious as those who make 26 episodes a year. 5-6 is more than enough. It’s not like there’s a story line to follow, or characters anyone loves.

    Ya know, Gil Thorp and Mary Worth used to take all 52 weeks of their comic pages to complete a single action. And they’re still popular, even today!

    (Sarcasm)

  7. Carol

    I always find it funny how the networks call every show that comes out a hit show. I definitely wouldn’t call Warehouse 13 a hit nor would I call very many shows on either broadcast TV or cable a hit. It’s a sucessful show but not one that is generating amazing ratings. It always amuses me when a network will release an ad or statement about their new “hit show” and then end up cancelling in next few weeks.

  8. Carol

    I always find it funny how the networks call every show that comes out a hit show. I definitely wouldn’t call Warehouse 13 a hit nor would I call very many shows on either broadcast TV or cable a hit. It’s a sucessful show but not one that is generating amazing ratings. It always amuses me when a network will release an ad or statement about their new “hit show” and then end up cancelling in next few weeks.

  9. I think at this point, they’re all out of clues.

    Who saw MASH coming? When (else) in history does ‘an army show’ last so long?

    Who spotted Friends or Seinfeld and knew their rating (and syndication) would be so enormous?

    But we’re always hearing about the next ‘hit’ show, just in case it is. :)

    I think what they’re after is a large set of average-earners, because they might get lucky enough to get ONE of these towering earners eventually.

    This kinda showed with Firefly; they had a formula- a “start in the middle of the action” beginning, being surprised women liked it more than men, etc.

    I just think formulas don’t work; you can’t remake Johnny Carson, for example. It has to fit the times, whatever the show is.

  10. I think at this point, they’re all out of clues.

    Who saw MASH coming? When (else) in history does ‘an army show’ last so long?

    Who spotted Friends or Seinfeld and knew their rating (and syndication) would be so enormous?

    But we’re always hearing about the next ‘hit’ show, just in case it is. :)

    I think what they’re after is a large set of average-earners, because they might get lucky enough to get ONE of these towering earners eventually.

    This kinda showed with Firefly; they had a formula- a “start in the middle of the action” beginning, being surprised women liked it more than men, etc.

    I just think formulas don’t work; you can’t remake Johnny Carson, for example. It has to fit the times, whatever the show is.

© 2010 TVbytheNumbers, all rights reserved. Zap2it Partner