via press release:
85th ACADEMY AWARDS® NOMINATIONS ANNOUNCED
BEVERLY HILLS, CA — Nominations for the 85th Academy Awards® were announced today (Thursday, January 10) by this year’s Oscars host, Seth MacFarlane, and actress Emma Stone.
MacFarlane and Stone announced the nominees at a 5:38 a.m. PT in a live news conference attended by more than 400 international media representatives. For a complete list of nominees, visit the official Academy Awards website, www.oscar.com.
Academy members from each of the branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees.
Official screenings of all motion pictures with one or more nominations will begin for members on Saturday, January 19, at the Academy's Samuel Goldwyn Theater. Screenings will also be held at the Academy's Linwood Dunn Theater in Hollywood and in London, New York and the San Francisco Bay Area.
Active members of the Academy are eligible to vote for the winners in all categories.
Academy Awards for outstanding film achievements of 2012 will be presented on Sunday, February 24, 2013, at the Dolby Theatre™ at Hollywood & Highland Center®, and televised live on the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries worldwide.
ABOUT THE ACADEMY The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards—in which the members vote to select the nominees and winners—the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.
MEDIA CONTACT
Amy Astley, amy.astley@abc.com
Teni Melidonian, tmelidonian@oscars.org
Toni Thompson, tthompson@oscars.org
FOLLOW THE ACADEMY
|
- NOMINATIONS BY CATEGORY - 85TH AWARDS - |
Performance by an actor in a leading role
| Bradley Cooper in “Silver Linings Playbook” (The Weinstein Company) |
| Daniel Day-Lewis in “Lincoln” (Walt Disney/20th Century Fox) |
| Hugh Jackman in “Les Misérables” (Universal) |
| Joaquin Phoenix in “The Master” (The Weinstein Company) |
| Denzel Washington in “Flight” (Paramount) |
Performance by an actor in a supporting role
| Alan Arkin in “Argo” (Warner Bros.) |
| Robert De Niro in “Silver Linings Playbook” (The Weinstein Company) |
| Philip Seymour Hoffman in “The Master” (The Weinstein Company) |
| Tommy Lee Jones in “Lincoln” (Walt Disney/20th Century Fox) |
| Christoph Waltz in “Django Unchained” (The Weinstein Company) |
Performance by an actress in a leading role
| Jessica Chastain in “Zero Dark Thirty” (Sony Pictures Releasing) |
| Jennifer Lawrence in “Silver Linings Playbook” (The Weinstein Company) |
| Emmanuelle Riva in “Amour” (Sony Pictures Classics) |
| Quvenzhané Wallis in “Beasts of the Southern Wild” (Fox Searchlight) |
| Naomi Watts in “The Impossible” (Summit Entertainment and Mediaset España) |
Performance by an actress in a supporting role
| Amy Adams in “The Master” (The Weinstein Company) |
| Sally Field in “Lincoln” (Walt Disney/20th Century Fox) |
| Anne Hathaway in “Les Misérables” (Universal) |
| Helen Hunt in “The Sessions” (Fox Searchlight) |
| Jacki Weaver in “Silver Linings Playbook” (The Weinstein Company) |
Best animated feature film of the year
| “Brave” (Walt Disney) | Mark Andrews and Brenda Chapman |
| “Frankenweenie” (Walt Disney) | Tim Burton |
| “ParaNorman” (Focus Features) | Sam Fell and Chris Butler |
| “The Pirates! Band of Misfits” (Sony Pictures Releasing) | Peter Lord |
| “Wreck-It Ralph” (Walt Disney) | Rich Moore |
Achievement in cinematography
| “Anna Karenina” (Focus Features) | Seamus McGarvey |
| “Django Unchained” (The Weinstein Company) | Robert Richardson |
| “Life of Pi” (20th Century Fox) | Claudio Miranda |
| “Lincoln” (Walt Disney/20th Century Fox) | Janusz Kaminski |
| “Skyfall” (Sony Pictures Releasing and Metro-Goldwyn-Mayer) | Roger Deakins |
Achievement in costume design
| “Anna Karenina” (Focus Features) | Jacqueline Durran |
| “Les Misérables” (Universal) | Paco Delgado |
| “Lincoln” (Walt Disney/20th Century Fox) | Joanna Johnston |
| “Mirror Mirror” (Relativity Media) | Eiko Ishioka |
| “Snow White and the Huntsman” (Universal) | Colleen Atwood |
Achievement in directing
| “Amour” (Sony Pictures Classics) | Michael Haneke |
| “Beasts of the Southern Wild” (Fox Searchlight) | Benh Zeitlin |
| “Life of Pi” (20th Century Fox) | Ang Lee |
| “Lincoln” (Walt Disney/20th Century Fox) | Steven Spielberg |
| “Silver Linings Playbook” (The Weinstein Company) | David O. Russell |
Best documentary feature
| “5 Broken Cameras” (Kino Lorber) A Guy DVD Films/Burnat Films Palestine Production | Emad Burnat and Guy Davidi |
| “The Gatekeepers” (Sony Pictures Classics) A Les Films du Poisson/Dror Moreh/Cinephil Production | Nominees to be determined |
| “How to Survive a Plague” (Sundance Selects) A How to Survive a Plague Production | Nominees to be determined |
| “The Invisible War” (Cinedigm/Docurama Films) A Chain Camera Pictures Production | Nominees to be determined |
| “Searching for Sugar Man” (Sony Pictures Classics) A Red Box Films and Passion Pictures in association with Canfield Pictures Production | Nominees to be determined |
Best documentary short subject
| “Inocente” A Shine Global Production | Sean Fine and Andrea Nix Fine |
| “Kings Point” A Kings Point Documentary Production | Sari Gilman and Jedd Wider |
| “Mondays at Racine” A Cynthia Wade Production | Cynthia Wade and Robin Honan |
| “Open Heart”
An Urban Landscapes Production |
Kief Davidson and Cori Shepherd Stern |
| “Redemption”
A Downtown Docs Production |
Jon Alpert and Matthew O'Neill |
Achievement in film editing
| “Argo” (Warner Bros.) | William Goldenberg |
| “Life of Pi” (20th Century Fox) | Tim Squyres |
| “Lincoln” (Walt Disney/20th Century Fox) | Michael Kahn |
| “Silver Linings Playbook” (The Weinstein Company) | Jay Cassidy and Crispin Struthers |
| “Zero Dark Thirty” (Sony Pictures Releasing) | Dylan Tichenor and William Goldenberg |
Best foreign language film of the year
| “Amour” (Sony Pictures Classics) A Les Films du Losange/X Filme Creative Pool/Wega Film Production | Austria |
| “Kon-Tiki” (The Weinstein Company) A Nordisk Film Production | Norway |
| “No” (Sony Pictures Classics) A Fabula Production | Chile |
| “A Royal Affair” (Magnolia Pictures) A Zentropa Production | Denmark |
| “War Witch” (Tribeca Film) An Item 7 Production | Canada |
Achievement in makeup
| “Hitchcock” (Fox Searchlight) | Howard Berger, Peter Montagna and Martin Samuel |
| “The Hobbit: An Unexpected Journey” (Warner Bros. and Metro-Goldwyn-Mayer) | Peter Swords King, Rick Findlater and Tami Lane |
| “Les Misérables” (Universal) | Lisa Westcott and Julie Dartnell |
Achievement in music written for motion pictures (Original score)
| “Anna Karenina” (Focus Features) | Dario Marianelli |
| “Argo” (Warner Bros.) | Alexandre Desplat |
| “Life of Pi” (20th Century Fox) | Mychael Danna |
| “Lincoln” (Walt Disney/20th Century Fox) | John Williams |
| “Skyfall” (Sony Pictures Releasing and Metro-Goldwyn-Mayer)
|
Thomas Newman |
Achievement in music written for motion pictures (Original song)
| “Before My Time” from “Chasing Ice” (Submarine Deluxe) | Music and Lyric by J. Ralph |
|
“Everybody Needs A Best Friend” from “Ted” (Universal) |
Music by Walter Murphy Lyric by Seth MacFarlane |
| “Pi's Lullaby” from “Life of Pi” (20th Century Fox) | Music by Mychael Danna
Lyric by Bombay Jayashri |
| “Skyfall” from “Skyfall” (Sony Pictures Releasing and Metro-Goldwyn-Mayer) | Music and Lyric by Adele Adkins and Paul Epworth |
| “Suddenly” from “Les Misérables” (Universal) | Music by Claude-Michel Schönberg
Lyric by Herbert Kretzmer and Alain Boublil |
Best motion picture of the year
| “Amour” (Sony Pictures Classics) A Les Films du Losange/X Filme Creative Pool/Wega Film Production | Nominees to be determined |
| “Argo” (Warner Bros.) A Stage 16 Pictures Production | Grant Heslov, Ben Affleck and George Clooney, Producers |
| “Beasts of the Southern Wild” (Fox Searchlight) A Cinereach and Court 13 Production | Dan Janvey, Josh Penn and Michael Gottwald, Producers |
| “Django Unchained” (The Weinstein Company) A Weinstein Company and Columbia Pictures Production | Stacey Sher, Reginald Hudlin and Pilar Savone, Producers |
| “Les Misérables” (Universal) A Universal Pictures and Working Title Production | Tim Bevan, Eric Fellner, Debra Hayward and Cameron Mackintosh, Producers |
| “Life of Pi” (20th Century Fox) A Fox 2000 Pictures Production | Gil Netter, Ang Lee and David Womark, Producers |
| “Lincoln” (Walt Disney/20th Century Fox) A DreamWorks Pictures/20th Century Fox Production | Steven Spielberg and Kathleen Kennedy, Producers |
| “Silver Linings Playbook” (The Weinstein Company) A Weinstein Company Production | Donna Gigliotti, Bruce Cohen and Jonathan Gordon, Producers |
| “Zero Dark Thirty” (Sony Pictures Releasing) A Columbia Pictures Production | Mark Boal, Kathryn |
Achievement in production design
| “Anna Karenina” (Focus Features) | Production Design:
Set Decoration: |
Sarah Greenwood
Katie Spencer |
| “The Hobbit: An Unexpected Journey” (Warner Bros. and Metro-Goldwyn-Mayer) | Production Design:
Set Decoration: |
Dan Hennah
Ra Vincent and Simon Bright |
| “Les Misérables” (Universal) | Production Design:
Set Decoration: |
Eve Stewart
Anna Lynch-Robinson |
| “Life of Pi” (20th Century Fox) | Production Design:
Set Decoration: |
David Gropman
Anna Pinnock |
| “Lincoln” (Walt Disney/20th Century Fox) | Production Design:
Set Decoration: |
Rick Carter
Jim Erickson |
Best animated short film
| “Adam and Dog” A Lodge Films Production | Minkyu Lee |
| “Fresh Guacamole” A PES Production | PES |
| “Head over Heels” (National Film and Television School)
A National Film and Television School Production |
Timothy Reckart and Fodhla Cronin O'Reilly |
| “Maggie Simpson in “The Longest Daycare”” (20th Century Fox Animation)
A Gracie Films Production |
David Silverman |
| “Paperman” (Walt Disney) A Disney Animation Studios Production | John Kahrs |
Best live action short film
| “Asad” A Hungry Man Production | Bryan Buckley and Mino Jarjoura |
| “Buzkashi Boys” An Afghan Film Project Production | Sam French and Ariel Nasr |
| “Curfew” (Ouat Media)
A Fuzzy Logic Pictures Production |
Shawn Christensen |
| “Death of a Shadow (Dood van een Schaduw)” (Premium Films) A Serendipity Films Production | Tom Van Avermaet and Ellen De Waele |
| “Henry” A Yan England Production | Yan England |
Achievement in sound editing
| “Argo” (Warner Bros.) | Erik Aadahl and Ethan Van der Ryn |
| “Django Unchained” (The Weinstein Company) | Wylie Stateman |
| “Life of Pi” (20th Century Fox) | Eugene Gearty and Philip Stockton |
| “Skyfall” (Sony Pictures Releasing and Metro-Goldwyn-Mayer) | Per Hallberg and Karen Baker Landers |
| “Zero Dark Thirty” (Sony Pictures Releasing) | Paul N.J. Ottosson |
Achievement in sound mixing
| “Argo” (Warner Bros.) | John Reitz, Gregg Rudloff and Jose Antonio Garcia |
| “Les Misérables” (Universal) | Andy Nelson, Mark Paterson and Simon Hayes |
| “Life of Pi” (20th Century Fox) | Ron Bartlett, D.M. Hemphill and Drew Kunin |
| “Lincoln” (Walt Disney/20th Century Fox) | Andy Nelson, Gary Rydstrom and Ronald Judkins |
| “Skyfall” (Sony Pictures Releasing and Metro-Goldwyn-Mayer) | Scott Millan, Greg P. Russell and Stuart Wilson |
Achievement in visual effects
| “The Hobbit: An Unexpected Journey” (Warner Bros. and Metro-Goldwyn-Mayer) | Joe Letteri, Eric Saindon, David Clayton and R. Christopher White |
| “Life of Pi” (20th Century Fox) | Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott |
| “Marvel's The Avengers” (Walt Disney) | Janek Sirrs, Jeff White, Guy Williams and Dan Sudick |
| “Prometheus” (20th Century Fox) | Richard Stammers, Trevor Wood, Charley Henley and Martin Hill |
| “Snow White and the Huntsman” (Universal) | Cedric Nicolas-Troyan, |
Adapted screenplay
| “Argo” (Warner Bros.) | Screenplay by Chris Terrio |
| “Beasts of the Southern Wild” (Fox Searchlight) | Screenplay by Lucy Alibar & Benh Zeitlin |
| “Life of Pi” (20th Century Fox) | Screenplay by David Magee |
| “Lincoln” (Walt Disney/20th Century Fox) | Screenplay by Tony Kushner |
| “Silver Linings Playbook” (The Weinstein Company) | Screenplay by David O. Russell |
Original screenplay
| “Amour” (Sony Pictures Classics) | Written by Michael Haneke |
| “Django Unchained” (The Weinstein Company) | Written by Quentin Tarantino |
| “Flight” (Paramount) | Written by John Gatins |
| “Moonrise Kingdom” (Focus Features) | Written by Wes Anderson & Roman Coppola |
| “Zero Dark Thirty” (Sony Pictures Releasing) | Written by Mark Boal |
MOTION PICTURE NOMINATIONS - 84TH AWARDS -
NOMINATIONS BY PICTURE –
(This list does not include Short Films or Documentary Short Subjects.)
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
- MOTION PICTURE NOMINATIONS - 85TH AWARDS –
- FEATURE FILMS WITH TWO OR MORE NOMINATIONS –
(This list does not include Short Films or Documentary Short Subjects.)
| Picture | Distribution Company | Nominations |
| “Lincoln” | Walt Disney/20th Century Fox | 12
|
| “Life of Pi” | 20th Century Fox | 11
|
| “Les Misérables” | Universal | 8
|
| “Silver Linings Playbook” | The Weinstein Company | 8
|
| “Argo” | Warner Bros. | 7
|
| “Amour” | Sony Pictures Classics | 5
|
| “Django Unchained” | The Weinstein Company | 5
|
| “Skyfall” | Sony Pictures Releasing and Metro-Goldwyn-Mayer | 5 |
| “Zero Dark Thirty” | Sony Pictures Releasing | 5
|
| “Anna Karenina” | Focus Features | 4
|
| “Beasts of the Southern Wild” | Fox Searchlight | 4
|
| “The Hobbit: An Unexpected Journey” | Warner Bros. and Metro-Goldwyn-Mayer | 3 |
| “The Master” | The Weinstein Company | 3
|
| “Flight” | Paramount | 2
|
| “Snow White and the Huntsman” | Universal | 2 |
Go Michael Haneke, go Christoph Waltz!
bradley cooper what a joke. wallis for best actress. the academy
isnt what it used to be. this is sad. congrats to denzel and waltz.
It’s about time that Joaquin Phoenix wan an Oscar. He should’ve won one for Gladiator.
As usual I haven’t heard half of the best picture nominees. And of all the nominees, Skyfall is the only movie I’ve seen. I guess I must be a simpleton.
What is sad is that TDKR got nothing. Zippo, zilch, nada, NOTHING?!?!?!?!?!? Seriously, whoever runs the bloody Academy must really hate Nolan. By rights this one deserved at least all the technical nominations, and Best Picture, Best Director, and all four acting nominations. These people put in so much time, money and energy to create one of the most stunning movies of all time, and the Academy clearly doesn’t care. I was really hoping for a rare turn-around on the apparent anti-genre sentiment (which might explain how the final LOTR movie got so many wins back in ’04), but NOOOOOOOO. This is just more of a suggestion that the Oscars are a joke, designed to reward pretentiousness and overall inability to connect with the general public.
TDKR was pretty much a big FU to the ‘Occupy Wall Street movement, so there was no way the libtards at the Academy would nominate this movie for anything.
PARANORMAN!!!!!!??? Why did that snooze-fest get nominated. Madagascar 3 was 100% better.
Shame that Avengers and Dark Knight Rises didn’t get more recognition. Guess the Academy doesn’t care that they made over a billion dollars (Like Avatar, Titanic, Toy Story 3, Return of the King) anymore.
ABC must be furious right now. No Skyfall, no Hobbit, no Dark Knight in ANY of the major categories.
I’m a movie buff so I’ve heard of all these movies, but I don’t think you can find ten people outside of LA who’ve heard of Amour, Beasts of the Southern Wild and The Master.
Oscar Night is my Super Bowl…I watch even if I haven’t seen most of the nominated films – it’s always enjoyable. I liked everything I saw from this round and it would be hard to pick a winner, so good luck to Les Mis, Argo (I love everything Alan Arkin does), Life of Pi, Lincoln, Silver Linings Playbook (I’ll see it a second time soon), Brave, Skyfall, and Wreck It Ralph (surprisingly good). I should see Django and Flight some time soon…I can wait to rent The Hobbit. Pirates Band of Misfits?!? Madagascar 3 should have had a nod…it was waaaaaay better. I didn’t see Paranorman or Frankenweenie; had no interest in either.
Wow. Ben Afleck didn’t get nominated. A couple months ago He was the greatest thing since sliced bread.
I really satisfied with many of the nominations. I am surprised that Dark Knight Rises didn’t get more recognition in the technical categories. I was also hoping that Samuel L. Jackson would get the nomination in the best supporting actor category. I feel that his role had to be extremely challenging and requires brilliant acting to pull that off. Silver Linings Playbook ended up getting an acting nod for each of the categories. Along with Lincoln, this film looks to be one of the front runners. I really would like to see Life of Pi.