CBS 2013-14 Primetime Schedule: 'Person of Interest' Tuesday & 'Hawaii Five-0' Friday; 'Two and a Half Men' Gets New Time + 'The Millers' Gets Post 'Big Bang Theory' Spot

Categories: Fall 2013 TV Schedule,Network TV Press Releases

Written By

May 15th, 2013

 

CBS has released their 2013-14 schedule:

Note: For those asking, Mike & Molly has indeed been pushed to midseason, but has a full 22-episode order.

CBS TELEVISION NETWORK

2013-2014 PRIME TIME SCHEDULE

(N=New, NT=New Time, all times ET/PT)

 

MONDAY

8:00-8:30 PM              How I Met Your Mother

8:30-9:00 PM              WE ARE MEN (N)

9:00-9:30 PM              2 Broke Girls

9:30-10:00 PM            MOM (N)

10:00-11:00 PM          HOSTAGES (N)

INTELLIGENCE (Mid-Season) (N)

 

TUESDAY

8:00-9:00 PM              NCIS

9:00-10:00 PM            NCIS: LOS ANGELES

10:00-11:00 PM          Person Of Interest (NT)

 

WEDNESDAY

8:00-9:00 PM              SURVIVOR

9:00-10:00 PM            Criminal Minds

10:00-11:00 PM          CSI: CRIME SCENE INVESTIGATION

 

THURSDAY

8:00-8:30 PM              The Big Bang Theory

8:30-9:00 PM              THE MILLERS (N)

9:00-9:30 PM              THE CRAZY ONES (N)

9:30-10:00 PM            Two and a Half Men (NT)

10:00-11:00 PM          Elementary

 

FRIDAY

8:00-9:00 PM              Undercover Boss

9:00-10:00 PM            Hawaii Five-0 (NT)

10:00-11:00 PM          Blue Bloods

 

SATURDAY

8:00-8:30 PM              COMEDYTIME SATURDAY (N)

8:30-9:00 PM              COMEDYTIME SATURDAY (N)

9:00-10:00 PM            CRIMETIME SATURDAY

10:00-11:00 PM          48 HOURS

 

SUNDAY

7:00-8:00 PM              60 Minutes

8:00-9:00 PM              THE Amazing Race

9:00-10:00 PM            THE Good Wife

10:00-11:00 PM          THE Mentalist

 

# # #

 

via press release:

CBS ANNOUNCES 2013-2014 PRIME TIME SCHEDULE

 

Network Introduces Five New Series for Fall and Three for Mid-Season

 

America’s Most-Watched Network Makes Big Moves in Comedy for Fall

 

Four New Comedies Starring Robin Williams, Sarah Michelle Gellar, Will Arnett,
Margo Martindale, Anna Faris, Allison Janney and Tony Shalhoub

 

Network Creates a Two-Hour Comedy Block on Thursdays from 8:00 PM to 10:00 PM

 

New Suspense Thriller “Hostages” to Premiere Mondays at 10:00 PM in Fall,
Building to Season Finale in January;
New Action Drama “Intelligence” Moves into that Time Period in Mid-Season

           

The Three Most-Watched Dramas on TV – “NCIS,” “NCIS: Los Angeles,” and
Person Of Interest” – to All Air on Tuesday Night

 

20 Hit Series Return

 

CBS unveiled today its new 2013-2014 schedule, featuring eight new series – five comedies and three dramas – to build on the strength of America’s top-rated network.  Five of the new series will premiere in the fall and three at mid-season.

 

CBS will finish the current season as the top-rated network in viewers for the 10th time in 11 seasons, #1 in the adults 25-54 demographic and #1 in adults 18-49 for the first time since the 1991-1992 season.

 

For next fall, the Network is increasing its comedy lineup with four new comedies, expanding its comedy block on Thursdays from 8:00-10:00 PM and creating an encore hour for comedy broadcasts on Saturdays.

The new comedies are THE CRAZY ONES, a single-camera comedy from executive producer David E. Kelley starring Robin Williams and Sarah Michelle Gellar; THE MILLERS, a multi-generational family comedy from executive producer Greg Garcia starring Will Arnett, Margo Martindale, Beau Bridges and JB Smoove; MOM, an edgy family comedy from executive producer Chuck Lorre starring Anna Faris and Allison Janney; and WE ARE MEN, an ensemble single-camera comedy starring Tony Shalhoub, Kal Penn, Chris Smith and Jerry O’Connell.

 

Two new dramas have been scheduled for Mondays at 10:00 PM.  HOSTAGES, the serialized suspense thriller from executive producer Jerry Bruckheimer starring Toni Collette and Dylan McDermott, premieres in the fall, building to a season finale in January.  Soon after, INTELLIGENCE, a high-octane action drama starring Josh Holloway, Marg Helgenberger and Meghan Ory, moves into the time period for the remainder of the season.

 

The freshman series will be joined by 20 returning shows including NCIS, the season’s most watched show; The Big Bang Theory, the season’s #1 comedy in viewers and demos; 60 Minutes, the season’s #1 news magazine; and Elementary, the season’s #1 new drama.

 

The other returning series include: How I Met Your Mother, 2 Broke Girls, NCIS: LOS ANGELES, Person Of Interest, SURVIVOR, Criminal Minds, CSI: CRIME SCENE INVESTIGATION, Two and a Half MenUndercover Boss, Hawaii Five-0, Blue Bloods,  48 HOURS, THE Amazing Race, THE Good Wife  and THE Mentalist.

 

In addition, the proven hit returning comedy MIKE & MOLLY, starring Academy Award nominee Melissa McCarthy and Billy Gardell; the new steamy legal drama RECKLESS; and the new romantic comedy FRIENDS WITH BETTER LIVES are set for mid-season.

 

The new 2013-2014 schedule is:

 

On Monday, the veteran comedy How I Met Your Mother begins its climatic final season at 8:00 PM, providing a strong lead-in for the new single-camera ensemble comedy WE ARE MEN at 8:30 PM. The top-rated comedy of the night, 2 Broke Girls, is at 9:00 PM, seamlessly leading into the new Chuck Lorre comedy MOM at 9:30 PM.  At 10:00 PM, HOSTAGES will launch in the fall, building to a season finale in January.  Soon after, INTELLIGENCE will take over the time period for the season.

 

On Tuesdays, CBS makes a key scheduling move at 10:00 PM, creating a powerhouse lineup in which the three top-rated dramas on television now air on the same night. The most-watched series on television, NCIS, returns at 8:00 PM, followed by the #2-rated drama NCIS: LOS ANGELES at 9:00 PM. The #3-rated drama and fastest-growing series, Person Of Interest, caps the night at 10:00 PM.

 

On Wednesday, CBS’s strong lineup returns with the popular reality series SURVIVOR kicking off the night at 8:00 PM. The highest-rated drama of the night, Criminal Minds, returns at 9:00 PM, followed by the time-period-winning CSI: CRIME SCENE INVESTIGATION at 10:00 PM.

 

On Thursday, CBS is expanding its comedy lineup from 8:00-10:00 PM. The #1-rated comedy, The Big Bang Theory, returns at 8:00 PM, giving a powerful lead-in to the new Will Arnett comedy THE MILLERS. THE CRAZY ONES, featuring the return to series television of the legendary Robin Williams, opens the new comedy hour at 9:00 PM, followed by the return of the #2-rated comedy on TV, Two and a Half Men, at 9:30 PM. The #1-rated new drama, Elementary, caps the night at 10:00 PM.

 

On Friday, CBS moves an established drama to the middle of the lineup to strengthen a winning night. At 8:00 PM, the Emmy Award-winning and time period leader Undercover Boss returns. The popular drama Hawaii Five-0 establishes a new beachhead at 9:00 PM, leading perfectly into Blue Bloods, the top-rated series of the night, at 10:00 PM.

 

On Saturdays, CBS has another hour of comedy. COMEDYTIME will feature encore broadcasts of the Network’s hit comedies at 8:00 PM, followed by the popular CRIMETIME programming at 9:00 PM, and the night’s top-rated broadcast 48 HOURS at 10:00 PM.

 

On Sunday, CBS’s critically acclaimed lineup returns intact with the top-rated, award-winning news magazine 60 Minutes  at 7:00 PM, followed by Emmy Award winner THE Amazing Race at 8:00 PM, the critical favorite THE Good Wife at 9:00 PM and THE Mentalist at 10:00 PM.

 

The Comedies:

 

WE ARE MEN is a single-camera comedy about four single guys living in a short-term apartment complex who unexpectedly find camaraderie over their many missteps in love.  Carter (Chris Smith), the youngest and most recent addition to the group, moved in after being ditched at the altar mid-ceremony, and is now eager to re-enter the dating scene and get on with his life with some guidance from his “band of brothers”:  Frank Russo (Golden Globe and multiple Emmy Award winner Tony Shalhoub), a successful middle-aged clothing manufacturer and four-time divorcée who still fancies himself a ladies man; Gil Bartis (Kal Penn), a small business owner who was caught having the world’s worst affair; and Stuart Strickland (Jerry O’Connell), a speedo-wearing OB/GYN who’s hiding his assets until his second divorce is settled.  Jill (Rebecca Breeds) is Frank’s charming and attractive daughter, who stands as the one positive remnant from his failed relationships. Armed with a hot tub, pool-side barbeque and plenty of questionable advice, these losers in the marriage department take Carter under their wing to impart their own brand of wisdom about the opposite sex.  Emmy Award winner Rob Greenberg, Eric Tannenbaum and Kim Tannenbaum are executive producers for CBS Television Studios. Rob Greenberg directed the pilot.

 

 

 

 

MOM is a comedy from executive producer Chuck Lorre starring Anna Faris as a newly sober single mom raising two children in a world full of temptations and pitfalls, and multiple Emmy Award winner Allison Janney as her critical, estranged mother.  Christy (Faris) is a waitress at a posh Napa Valley establishment who is four months clean and doing her best to be a good mom and overcome a history of questionable choices. Her sobriety is tested when Bonnie (Janney), her recovering alcoholic mom, reappears chock-full of passive-aggressive insights into Christy’s many mistakes. Bonnie joins Christy’s already complicated circle of relationships: her handsome, married boss – and lover – Gabriel (Nate Corddry); the restaurant’s hot-tempered chef, Rudy (French Stewart); her pretty, 16-going-on-25-year-old daughter, Violet (Sadie Calvano); her sweet but overly honest son, Roscoe (Blake Garrett Rosenthal); her irresponsible ex-husband and Roscoe’s father, Baxter (Matt Jones); and Violet’s clueless boyfriend, Luke (Spencer Daniels). Christy tries to remain positive as she pursues her new path in life, but she faces an uphill battle, surrounded by a dubious support system – and a copious amount of dysfunction. Chuck Lorre and Eddie Gorodetsky (“Two and a Half Men” and “The Big Bang Theory”) are executive producers for Chuck Lorre Productions in association with Warner Bros. Television. Pamela Fryman directed the pilot. Gemma Baker co-wrote the pilot with Lorre and Gorodetsky.

 

 

THE MILLERS stars Will Arnett as Nathan Miller, a recently divorced local roving news reporter looking forward to living the singles’ life until his parents’ marital problems unexpectedly derail his plans. After Nathan finally breaks the news of his divorce to his parents, Carol (Emmy Award winner Margo Martindale) and Tom (Emmy Award winner Beau Bridges), his father is inspired to follow suit and stuns the family when he leaves his wife of 43 years.   Already in shock, Jack is even more aghast when his meddlesome mom decides to move in with him. Meanwhile, his absent-minded dad imposes upon Nathan’s sister, Debbie, her husband Adam and their daughter Mykayla (Eve Moon). Nathan’s best friend and news cameraman, Ray (JB Smoove), was excited to be Nathan’s wingman in the dating scene, but Carol manages to even cramp his style. Now, as Nathan and his sister settle in with their truly impossible parents, they both wonder just how long the aggravating adjustment period is going to last. Greg Garcia (“Raising Hope” and “My Name is Earl”) is the executive producer of THE MILLERS for CBS Television Studios. Emmy Award winner James Burrows directed the pilot.

 

 

 

 

 

 

 

 

 

 

 

 

 

Academy Award winner Robin Williams returns to series television in THE CRAZY ONES, a single-camera workplace comedy about a larger-than-life advertising genius whose unorthodox methods and unpredictable behavior would get him fired… if he weren’t the boss.  Simon Roberts (Williams) is the head of a powerful agency, with the biggest clients and brands in the world, but even more important to him is that his daughter Sydney (Sarah Michelle Gellar) is by his side. As his partner, Sydney is Simon’s exact opposite – focused, organized and eager to make a name for herself, but also too busy parenting her father, which she’d resent if he wasn’t so brilliant at what he does.  Joining them in The Firm are the dashing and talented Zach (James Wolk); art director Andrew (Hamish Linklater), who’s as hard-working as he is neurotic; and the beautiful and deceptively smart assistant Lauren (Amanda Setton).  With his team and his daughter behind him, Simon continues to set the advertising world on fire, and it looks like they are definitely buying what these crazy ones are selling.  Emmy and Golden Globe Award winner David E. Kelley (“Ally McBeal” and “The Practice”), Bill D’Elia, Emmy Award winner Jason Winer (“Modern Family”), Dean Lorey, John Montgomery and Mark Teitelbaum are executive producers for Twentieth Century Fox Television. Jason Winer directed the pilot.

 

 

 

The Drama:

 

HOSTAGES, from executive producer Jerry Bruckheimer, is a high-octane suspense drama starring Emmy Award winner Toni Collette as a premiere surgeon thrust into a chilling political conspiracy when her family is taken hostage by rogue FBI Agent Duncan Carlisle (Dylan McDermott). Dr. Ellen Sanders (Collette) and her family are held captive in their home by Carlisle, a desperate man doing the wrong thing for the right reasons, who orders her to assassinate the President (James Naughton) when she operates on him.  His  highly  skilled  accomplices  include his brother-in-law Kramer (Rhys Coiro), whose loyalty to Carlisle will be tested; quick-tempered and intimidating Archer (Billy Brown), an ex-military man with a razor-sharp tongue; and the only woman involved, Sandrine (Sandrine Holt), a mysterious last-minute replacement to the team.  With her family’s life in peril, Ellen faces an incomprehensible moral dilemma in order to save her overbearing husband Brian (Tate Donovan), her secretive daughter Morgan (Quinn Shephard) and her not-so-innocent son Jake (Mateus Ward). In this high-stakes standoff between Ellen and Carlisle, fraught with tremendous national and personal consequences, the choices between right and wrong become even more blurred. Jerry Bruckheimer, Jonathan Littman, Jeffrey Nachmanoff, Rick Eid, Omri Givon, Rotem Shamir and Chayim Sharir are executive producers for Jerry Bruckheimer Television in association with Warner Bros. Television.

 

 

 

 

Mid-Season:

 

INTELLIGENCE is a dramatic thriller starring Josh Holloway as a high-tech intelligence operative enhanced with a super-computer microchip in his brain. With this implant, Gabriel (Holloway) is the first human ever to be connected directly into the worldwide information grid and have complete access to Internet, WiFi, telephone and satellite data.  He can hack into any data center and access key intel in the fight to protect the United States from its enemies. Leading the elite government cyber-security agency created to support him is Director Lillian Strand (Marg Helgenberger), a straightforward and efficient boss who oversees the unit’s missions. Strand assigns Riley Neal (Meghan Ory), a Secret Service agent, to protect Gabriel from outside threats, as well as from his appetite for reckless, unpredictable behavior and disregard for protocol.  Other skilled members of the Cybercom team include Chris Jameson (Michael Rady) and Gonzalo “Gonzo” Rodriguez (James Martinez), two resourceful federal investigators. The brains behind the design of the chip is Dr. Shenendoah Cassidy (John Billingsley), whose son, Nelson (PJ Byrne), is jealous of Gabriel’s prominent place in his father’s life. As the first supercomputer with a beating heart, Gabriel is the most valuable piece of technology the country has ever created and is the U.S.’s secret weapon. Michael Seitzman, René Echevarria, Tripp Vinson, and David Semel (for pilot) are executive producers for ABC Television Studios in association with CBS Television Studios.

 

 

 

 

 

 

 

 

 

 

 

RECKLESS is a sultry legal drama set in Charleston, S.C., where a gorgeous Yankee litigator and a charming Southern attorney must hide their intense mutual attraction as a police sex scandal threatens to tear the city apart. Jamie Sawyer (Anna Wood) is enviously cool, confident and armed with south-side-of-Chicago street-smarts as she takes on the good ol’ boys in the South. Her handsome courtroom rival, Roy Rayder (Cam Gigandet), a divorced father of two, embodies the Old South and is the newly minted City Attorney, thanks to his influential former father-in-law, Dec Fortnum (Gregory Harrison). When disgraced cop Lee Anne Marcus (Georgina Haig) hires Jamie to represent her in a lawsuit against the police department, Jamie and Roy discover that Lee Anne is at the epicenter of a sinister case with dire implications for the members of the Charleston P.D.  Heading that department is Deputy Chief Holland Knox (Michael Gladis), a family man who radiates integrity.  Working under him are Terry McCandless (Shawn Hatosy), a cocky and corrupt detective, and Preston Cruz (Adam Rodriguez), Jamie’s well-respected boyfriend who might not be all that he appears. Helping Jamie is her confidante and paralegal, Vi (Kim Wayans), an expert at digging up case-winning information. As Jamie and Roy spar in and out of the courtroom, dark secrets simmer behind every door and threaten to tarnish the genteel facade of seductive Charleston. Ian Sander, Kim Moses, Dana Stevens, Corey Miller and Catherine Hardwicke are executive producers for CBS Television Studios. Catherine Hardwicke (“Twilight”) directed the pilot.

 

FRIENDS WITH BETTER LIVES is a romantic comedy about six friends at different stages in their lives – married, divorced, newly engaged and single – who are outwardly happy, but secretly questioning if their friends have it better.  Andi (Majandra Delfino) and Bobby (Kevin Connolly) are happily married with two kids but at times long for the days they had less responsibility and more fun; Will (James Van Der Beek) is newly single and preaching The Bachelor lifestyle, but still pining for his ex-wife; Jules (Brooklyn Decker) and Lowell (Rick Donald) are high on their passionate new relationship; and Kate (Zoe Lister Jones) has a successful career but may take a swan dive into the L.A. River when she finds out her last remaining single friend, Jules, just got engaged.  When it comes to relationships, these six friends are finding it a challenge to look at each other without wondering… who really has the better life?  Dana Klein and Aaron Kaplan are executive producers for Twentieth Century Fox Television.  Emmy Award winner James Burrows directed the pilot.

 

CBS TELEVISION NETWORK

2013-2014 PRIME TIME SCHEDULE

(N=New, NT=New Time, all times ET/PT)

 

MONDAY

8:00-8:30 PM              How I Met Your Mother

8:30-9:00 PM              WE ARE MEN (N)

9:00-9:30 PM              2 Broke Girls

9:30-10:00 PM            MOM (N)

10:00-11:00 PM          HOSTAGES (N)

INTELLIGENCE (Mid-Season) (N)

 

TUESDAY

8:00-9:00 PM              NCIS

9:00-10:00 PM            NCIS: LOS ANGELES

10:00-11:00 PM          Person Of Interest (NT)

 

WEDNESDAY

8:00-9:00 PM              SURVIVOR

9:00-10:00 PM            Criminal Minds

10:00-11:00 PM          CSI: CRIME SCENE INVESTIGATION

 

THURSDAY

8:00-8:30 PM              The Big Bang Theory

8:30-9:00 PM              THE MILLERS (N)

9:00-9:30 PM              THE CRAZY ONES (N)

9:30-10:00 PM            TWO AND A HALF MEN (NT)

10:00-11:00 PM          Elementary

 

FRIDAY

8:00-9:00 PM              Undercover Boss

9:00-10:00 PM            Hawaii Five-0 (NT)

10:00-11:00 PM          Blue Bloods

 

SATURDAY

8:00-8:30 PM              COMEDYTIME SATURDAY (N)

8:30-9:00 PM              COMEDYTIME SATURDAY (N)

9:00-10:00 PM            CRIMETIME SATURDAY

10:00-11:00 PM          48 HOURS

 

SUNDAY

7:00-8:00 PM              60 Minutes

8:00-9:00 PM              THE Amazing Race

9:00-10:00 PM            THE Good Wife

10:00-11:00 PM          THE Mentalist

 

# # #

 
  • Illinois

    * I mean

  • LJ

    I guess they are finally tired of five-0′s middling ratings. I wonder if it’ll be the final season.

  • Greg

    This is interesting. I like Person of Interest and H50 moving as well as only one new drama premiering, but Mondays are a bit messy now. Four new shows? Too much (by CBS standards, obviously).

    Surely at least one of the new comedies will fail and Mike & Molly will swoop in to replace it (I’m betting on We Are Men, which has an awful cast).

  • Matt

    The only show I watch is Survivor… Which has been on same day and time for as long as I can remember… Yay!

  • alexjones

    POI at 10pm tuesday? what the hell? you’d think they’d use POI to launch one of their new dramas since POI is one of their more popular dramas instead of wasting it in that slot. Not surprised that H50 has been moved to friday, it’s ratings really went downhill this season.

  • SJ

    @bjssp

    It’s both a sign of confidence in TCO and kind of slap to TAAHM that they made the switch like this.

    I wouldn’t call it a slap in the face. Think of TBBT and TAAHM as tongs holding up two delicious veggie patties (or, if you’re not a crazy vegetarian like myself, meatballs) from both sides, ensuring that they don’t fall on the floor. ;)

  • Holly

    @Alex,

    Michael J Fox should open relatively well and could easily dent Two and a Half Men in the process

    Dent? Maybe. But Men averaged a 3.8 this season (that’s higher than every show on NBC, ABC, and FOX. Even if the move and change in lead in costs Men a whole point, that’s still a full point higher than Parks got this year.

  • Bri

    Lots of moves by CBS, POI is moving, no surprise there as CBS could do much better there, same with H50. I’m surprised TBBT was not move to 9pm on Thursday and Mike and Molly is not on the schedule. Not surprised that CM, CSI and Elementary didn’t move. CM and CSI work well together.

    Good schedule from CBS.

  • mando

    Hope to see CBS sitcoms crushed by NBC New sitcoms on Thursday.
    CBS doesn’t have any faith in single cam comedies.

  • Son of the Bishop

    They want to kill Person of interest ?!?!?!?!

  • Alex

    @SJ
    ITA. Anyone claiming otherwise is clearly delusional.

    Two and a Half Men started this season with a 3.5 and has spent most of the season around a mid-high 3. I don’t think its entirely out of the realm of possibility that Michael J Fox can match those kind of levels at least during the opening weeks of the season. Two and a Half Men isn’t the powerhouse that it once was. We don’t actually know to what degree its now being propped up by Big Bang Theory. CBS moved it away from the Monday anchor slot for a reason after all and it wasn’t purely because they were overwhelmed by 2 Broke Girls. You also have to wonder what kind of impact Crazy Ones has on Men. What if it turns out to be a Partners or How To Be A Gentleman? What if The Millers turns out to be that the audience jump ship from CBS after Big Bang and don’t come back?

    Don’t get me wrong I won’t be placing money on any of the NBC comedies dominating Men or any of the CBS offerings but I don’t think its anywhere near as cut and dry as people are suggesting.

  • Carl

    If the CW puts SPN at 9, don’t see how they’re going to be able to deal with both Grimm and 5-0.

    I had heard little good about Red (my parents enjoy both NCIS shows, they really enjoy them, and they did NOT care for the Red episodes), so I think CBS made the right call.

    I guess the flops of this past season told CBS to stop trying new dramas, but I think they should have tried at least one more. Their current drama lineup has huge holes.

    We Are Men is an awful title when you have another show called Two And A Half Men.

    Speaking of that, don’t really see how this will help Elementary. Their audiences aren’t compatible.

  • SS

    The CBS schedule makes the most sense of all those released so far. To me, anyway.
    Sunday shows are killed by the sports overruns – it would be a disaster to start a new show there in the fall.
    Mondays – meh, staying the course.
    Tuesdays – strong move. Tuesday’s at 10PM so far are looking weak on the other networks. I expect POI to kill. I know I will watch it more now in that timeslot.
    Wednesdays – stable
    Thursday – I think people underestimate the fans of Robin Williams and Sarah Michelle Geller. It will at least be checked out and if it is any good, it could be a hit. And it makes sense to me to keep Elementary there as it is the most light-hearted of the CBS crime dramas.
    Friday – idk – NBC and ABC are so strong on this night now, that CBS is playing catch up (remember when CBS was the only one who was strong on Fridays?).
    Saturday – yay, catch up on shows I missed day.

  • Edward

    Two and A Half Men only has that 3.8 rating because of Big Bang. We don’t know what it will get next season.

  • HV

    Wait a minute, CBS’s schedule makes sense! Unlike NBC, Fox, and ABC, it makes total sense!

  • Pablo

    With four new comedies, there’s a good bet that Mike and Molly will be needed, perhaps as early as November. They’re making good use of Two and a Half Men (I don’t watch it) as the other end of the sandwich for Thursday’s comedies. I’m sure this will be it’s last year. They’ve got to be running out of ideas, and paying way too much for the show. Since nobody has had a new breakout on Tuesday at 10p (Parenthood has been stable, and Body of Proof…(RIP) was the best ABC could do there), Person of Interest with it’s solid base would appear to be a compatible show. Question, after four years, why haven’t they ever moved NCIS:LA? Do they not have faith in the show away from its parent?

    From what I’ve noticed in the past few years, the following time slots are going to continue to be trouble for the networks: Sundays 9-11pm, Mondays 10-11pm, and Tuesdays 10-11pm. Those time slots now appear to pull ratings from broadcast networks to cable more than other hours. These are not exciting days to be a broadcast network exec.

  • Dan S

    I suppose if there are any surprises is the 2 new single cams weren’t put together but on different nights. All the same I’ll check out both We Are Men & Crazy Ones. Thur comedies will be easy, I’ll watch 3 of the single cams on NBC & at 9pm watch CO on CBS while NBC airs the multi cam Sean. I too saw H50 going to Fri & not at all surprised by that move. I was shocked however that Intelligence is being held for midseason. I didn’t see that 1 coming & still can’t believe CBS passed on Beverly Hills Cop.

  • Owen

    What does it mean for the renewed dramas/one hour shows that CBS will only premiere in total 3 new dramas, from which 2 (Hostages & Intelligence) are limited?

    Seems like to boost renewal chances of the struggling shows, unless next year they want to go back to 3 dramas in fall 14/15.

  • Alex

    @Holly
    Michael J Fox should be opening a hell of a lot higher than Parks & Rec’s though.

  • bjssp

    @Alex:

    I still think my NBC Thursday schedule of MJF’s show, WTTF, Assistance, and AAB would be great, but since that might not happen…

    I’ve said multiple places that MJF’s show supposedly came with contractual obligations about scheduling and marketing. Perhaps NBC had its hands tied in where it could put the show. Or, if not, or if not entirely that, perhaps it felt it could make its biggest impact at 9:30. Shows can grow, of course, but it’s easier if they start out big. If MJF’s show does that, it can move somewhere else in 2014-2015, or even in the middle of next season.

    TCO will be interesting because I could see all sorts of outcomes for it. But if it fails, it will absolutely hurt TAAHF. And while I could easily see it being successful, I don’t think it will be HUGE, making it easier for SSTW to gain traction.

    Let’s also remember that even with big name starts like Sean Hayes and Michael J. Fox, NBC isn’t expecting to come in first. An improved second, or even an improved third, would be welcome.

    I kind of feel bad for WWTF. It seems like it has promise, yet it has a herculean task ahead of it.

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