Here are The CW’s renew/cancel standings for week 28 of the 2017-18 season.
|Show||Status||18-49 rating||Renew/Cancel Index|
|iZombie||🐻 🐻 🐻||0.24||0.04|
|Life Sentence||🐻 🐻||0.16||-0.04|
|Jane the Virgin||Renewed||0.24||0.04|
|Legends of Tomorrow||Renewed||0.49||0.29|
The Bear isn’t making any changes to the two CW shows with undetermined status at the moment: “iZombie” is still a tossup, and “Life Sentence” is still a likely cancellation.
This will likely be the last CW post until the week after “The 100” premieres. “Life Sentence” is off for the next three weeks, and “iZombie” isn’t likely to move much. Once “The 100” returns (on April 24), the Bear will reassess these three shows’ chances.
Note: All of The CW’s shows are produced by network owners CBS and Warner Bros., so ownership of series isn’t a factor.
|DSW||Dead Show Walking: All but officially canceled yet still airing|
|🐻||sure bet to be canceled by May 2018|
|🐻 🐻||likely to be canceled by May 2018|
|🐻 🐻 🐻||tossup between renewal and cancellation by May 2018|
|🐻 🐻 🐻 🐻||likely to be renewed by May 2018|
|🐻 🐻 🐻 🐻 🐻||sure bet to be renewed by May 2018|
The Renew/Cancel Index is the amount above (or below) a replacement-level rating — i.e., the expected adults 18-49 rating of an emergency fill-in show should a series be canceled. For the 2016-17 season, replacement level is a 0.7 same-day rating in adults 18-49 for the Big 4 networks and a 0.2 for The CW. (Read more here.) The index number is taken by subtracting 0.7 (or 0.2) from a show’s average same-day rating.
Friday scripted shows (denoted with an “F” above) on the Big 4 have average ratings about 30 percent lower than those of other nights, therefore their ratings are multiplied by 1.43 (1/0.7, or 70 percent) before subtracting the replacement-level number. There is little variance for The CW on Friday, so the multiplier is not used.
Shows that have ended their seasons have their R/C Index number frozen at the point of their final episode.
(O) – Owned: All other things equal, shows owned by studios affiliated with their networks have a better shot at renewal than those from outside producers.